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You've got to be carefully taught...

If you need a good laugh, check this out.

Happy long weekend!

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One singular sensation of a movie!

Last night I went to the Landmark Harvard Exit movie theatre in Capitol Hill to see EVERY LITTLE STEP, the documentary about casting the revival of A CHORUS LINE.

FIrst of all, the Landmark Harvard Exit is one cool movie theatre! I'd never been before, and I almost drove right by it. The Landmark Harvard Exit is an old woman's club turned movie theatre.

From the theatre's website:

The theatre is located on a quaint, tree-lined street at the north end of Broadway, at Harvard and Roy on Seattle's Capitol Hill. The building in which The Harvard Exit currently resides was originally constructed as a clubhouse for The Woman's Century Club in 1925. The club continues to hold meetings in the lobby, although the building was sold in 1968 for conversion to a movie theatre. In the 1980s, a second auditorium was added in an unused ballroom space on the third floor of the building. One of the very first "art" theatres in Seattle, the Harvard Exit set the standard for the exhibition of independent film and foreign language cinema. Its large and glorious lobby retains a 1920s atmosphere, adorned with a fireplace, a grand piano and chandelier. A recent remodel adds a fully wheelchair accessible restroom on the main floor, expanded concession stand and an inside box office for those rainy Seattle nights.

I had seen the revival of A CHORUS LINE, so I was really excited to see the film. Also, a friend of a friend of ours, Natascia Diaz was figured prominently in the movie since it had come down to her and Charlotte D'Amboise for Cassie. I absolutely loved Natascia in JASQUES BREL at The Zipper.

What I didn't realize is how much footage we would get to see from the original 1975 production of A CHORUS LINE! As a "Hello 12, Hello 13" teenager I had lived and breathed that cast album (as a record of course) and sheet music when it was released, but had never seen the show until the revival in 2006.

Seeing Donna Mckechnie do The Music and The Mirror dance was unbelievable. She was other-worldly. Don't get me wrong, Charlotte D'Amboise was fantastic, but Donna Mckechnie defied description. You just have to see it. And she was just a wisp of a thing!


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It was really cool to seen the Director, Bob Avian, then (he had co-choreographed the original production) and now. He talked a lot about how casting was so difficult because besides the whole triple threat thing, the characters are really quite defined. You have a little bit of wiggle room in the type of person for each role, but not a lot. Marvin Hamlisch also provides commentary in the film and talks about the success of Dance Ten Looks Three only came when they changed the name to Dance Ten Looks Three from Tits and Ass. Giving away the joke of Tits and Ass in the title apparently killed the laughter. Also, in an earlier version of the show, Cassie doesn't get cast and the show got a lukewarm response from the audience. Once they changed the ending so Cassie got cast, they got standing ovations!

We also got to hear some of the the original tapes done by Michael Bennett with the original bunch of gypsies. This recording, done "one cold midnight" (January 18, 1974) was the material that spawned the characters and story lines for the final musical. Very, very cool.

The original Connie, Baayork Lee, was part of the creative team, and she was like a ball of energy. I loved the way she said the choreography for the opening number requires you to "eat nails". She was very particular about who got cast as Connie in the revival, and was hesitant to cast someone who people thought of as "cute"...as she says in the movie (and I paraphrase): "I'm not cute, I'm a survivor".

This casting process was incredibly drawn out ("four months later...eight months later") and must have been an incredible emotional journey for the dancers involved. When the director asks you to repeat the performance you gave four months ago and you honestly can't remember what it was you did, what do you do? The best you can. It was heart wrenching to see the ones who didn't get it, and incredibly uplifting to see the ones who did. What is also apparent is that there is a fine line between overly arrogant, and having good self esteem in such a tough, personal business. When is too much confidence a bad thing? You'll see in this movie.

And if you are wondering where to get your next pair of dance shoes, look no further than LaDuca's.

Kudos to everyone who came out for these auditions -- from the open call line up of people standing in the rain in New York's Time Square to the final recipients of the "you got it" calls.

This movie is a must see. So go see it. And hope they get it!




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Eeyore is going to steal the show!

I'm very excited to see WINNIE THE POOH at Youth Theatre Northwest because my youngest daughter Trinity will be playing Eeyore!

Opening night is next Friday July 10, so get your tickets now!

From the Youth Theatre Northwest Press release:

Youth Theatre Northwest (YTN) commences it’s 26th Season and Summerstock program with a magical adventure into the lush 100 acre woods with a stage adaptation of the beloved story Winnie-the-Pooh.  

Winnie-the-Pooh is a fat little bear who would like to drift peacefully through life, humming tunes and stopping frequently to eat “a little something.” However, he finds himself involved in all sorts of franctic adventures with his friends Eeyore, Piglet, and Rabbit. Pooh’s intentions are always the best, but his passion for honey and condensed milk keeps getting him into trouble. When friend Piglet gets roped into Kanga’s house and Kanga starts bathing him (with soap!), Pooh wants to fly to the rescue, but he’s had so many snacks he gets stuck in the door. Can his dear friend Christopher Robin help him now?

Adapted by Kristen Sergel from the popular children’s book by A.A. Milne, Winnie-the-Pooh’s wit and special understanding of young people make this one of the most successful and endearing plays for children.

Winnie-the-Pooh is the first production in Youth Theatre Northwest’s Summer Stock 2009 lineup. Paying tribute to classic stories, YTN will also produce Annie (July 31 – Aug. 9) and Pajama Game (Aug. 21 – 30).

Performance Schedule: Winnie-the-Pooh performs July 10th through 19th, Friday and Saturday evenings at 7:00 pm with Matinee performances on Saturdays and Sundays at 2:00 pm. Weekday matinee performances will also be held July 14, 15, and 16 (Tuesday, Wednesday and Thursday) at 2:00 pm. Youth Theatre Northwest is located at 8805 SE 40thStreet, Mercer Island, WA 98040.

Details:            Friday, July 10th at 7pm

                        Saturday, July 11th at 2pm and 7pm

                        Sunday, July 12th at 2pm

                        Tuesday, Wednesday and Thursday (July 14, 15 and 16) at 2pm

                        Friday, July 17th at 7pm

                        Saturday, July 18th at 2pm and 7pm

                        Sunday, July 19th at 2pm

Tickets for Winnie-the-Pooh are $17 for Adults and $15 for Seniors and Youth (under 18) for the July 10th opening night Gala (which includes an intermission dessert). Tickets for the remaining performances are $15 for Adults and $13 for Seniors and Youth. Discounted group rates are available. For tickets or information, call (206) 232-4145, ext. 109, or visit YTN online at www.youththeatre.org.

Production: 18 students, ages 8 to 13, from Mercer Island, Bellevue, Redmond, Issaquah, Newcastle, Medina, Kirkland and Seattle.

Direction and Design: Adapted by Kristen Sergel and based on the book by A.A. Milne. Directed by Meghan Arnette, set design by Brian Jackson, costume design by Kim Tepe, lighting design by Rob Ward, and props by Stephanie Merrow.

Celebrating it’s 26thyear, Youth Theatre Northwest “nurtures the intellectual, artistic and personal development of children and youth through drama, education, performing opportunities and live theatre experiences.” YTN is both theatre and school, providing a wide range of classes and programs designed to further theatrical learning, initiate creative play and stimulate intrapersonal development for children and young adults age 3-18. At it’s 200 seat theatre home on Mercer Island, YTN produces 10 annual plays. Additionally, YTN offered 109 classes to Puget Sound students and offers outreach programs to schools and libraries throughout the region.

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Here's to Canada, eh!

And a special shout out to musicals (not an exhaustive list by any means) written by Canadians - TWO PIANO FOUR HANDS, ANNE OF GREEN GABLES, BILLY BISHOP GOES TO WAR, THE DROWSY CHAPERONE and of course, PLANE CRAZY!

Okay, and a special shout out to one of my favorite Canadians -- Wolverine!

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Believe it or not!

I just found out that one of my fav songs, Indiana Wants Me,was written and performed by a Canadian songwriter R. Dean Taylor. According to the Summer 2009 edition of SOCAN's Words and Music magazine, R. Dean Taylor was the Motown Records first white artist to score a No. 1 hit!

From Words and Music:

In the early 1960s Canadian songwriter R. Dean Taylor found himself at the right place at the right time: in Detroit working for Motown Records. He quickly earned a reputation as one of the label's best writers and producer, co-penning smash hits such as All I Need (for the Temptations) and Love Child (for The Supremes).

Who knew?

Indiana Wants Me is one of those songs that always gives me chills when I hear it. I mean, when those sirens start at the end of the song, and the gunshots....Someone should make a made-for-tv movie musical out of that song! Hmmmm....

For the record, songs that also give me chills are: In the Ghetto, Cats in the Cradle, and thought I hate to say it, Teen Angel (which was written as a gag and turned into a hit!) I guess I'm a sucker for the melodrama!

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It's time to see WICKED again!

Usually WICKED isn't on the top of my list of shows to see when I'm in New York. Don't get me wrong, I love the show, but I have seen it twice -- once on Broadway with the original cast, and once in Chicago. As well, we did the backstage tour, bought the t-shirts, sheet music, and the CD! Finally, you have the feeling it will run forever, so what's the rush?

Maria Eberline, a friend and extremely talented musical theatre performer, is making her Broadway debut in WICKED in July! Maria was previously in the first national tour as understudy for Elphaba and Nessa. She took a quick break to get married to Rick Todd Adams and have a baby, and now she is back to work in WICKED (ensemble/Elphaba and Nessa understudy) on Broadway! And she looks as gorgeous and svelte post-baby as she did pre-baby. How is this possible?

Congrats and break a leg Maria!

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The best kind of deja vu...

Contemporary Classics is bringing back ZANNA DON'T! for a limited run at the Seattle Repertory PONCHO Forum, from June 26 to July 5 2009!

I saw this show last summer and it was a blast! Not only was it funny, but I really liked the music too!

Brandon Ivie, who is the Artistic Director of Contemporary Classics is directing the show again, with a lot of the same cast members as last year. Contemporary Classics also presents the concert series New Voices (the next one is August 3 at ACT in the Falls Theatre), which is always a blast, and is introducing Showtune Suckapunch!

From the Facebook event page:

ZANNA, DON'T! is a hip musical fairy tale about a matchmaking teen who turns relationships upside down, challenges our point of view, and changes the world forever. In a world where it's normal to be gay and taboo to be straight when Kate and Steve fall in love it's up to Zanna, the local love fairy, to search for the right spell to make the world safe for the two lovers. But Zanna's spell has a bigger impact than he planned. Is this new world really what he wanted? With a little magic and a fresh pop score, ZANNA celebrates the discovery of love in a world of adversity.

The Seattle production was named one of the Best Musicals of 2008 by Seattle Gay News and won a Seattle Times Footlight Award.

Creative Team
Director: Brandon Ivie
Music Director: Mark Rabe
Set Design: Andrea Bush
Costume Design: Harmony Arnold
Lighting Design: Robert J. Aguilar

Cast
Zanna: Justin Huertas
Steve: Jared Michael Brown
Kate: Sarah Davis
Mike: Connor Russell
Roberta: Diana Huey
Tank: Don Darryl Rivera
Candi: Lindsey Hedberg
Arvin: Arthur Allen

"Few shows have the appeal of ZANNA, DON'T! Something about it's pure sugary hopefulness satisfies a sweet tooth that many of us may have forgotten we have."
-The New York Times

"ZANNA, DON'T! is hands down the gayest thing I have ever seen on stage - and that's a good thing‚ It isn't without a profound message that's bound to put ideas into people's heads."
-Seattle Weekly

"A joyful romp!... ZANNA, DON'T! is a sparkler la John Waters to brighten your Fourth of July celebration."
-The Seattle Times

Hey, ZANNA DON'T! opens next Friday! Better get your tickets soon!



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"...And if not this festival then somewhere out west..."

The DIE VAMPIRE DIE WORKSHOP is coming West To Seattle! So take that novel out of that sock drawer and sign up!

For those of you who don't know, Die Vampire Die is my favorite song from the amazing Broadway show [title of show]. For me, this song was always the heart of the show, and always made me tear up (as in cry, not rip something).

The only other time I've cried while watching a Broadway show was in LES MIZ, when Fantine is dying and she thinks she is talking to Cossette. Sheesh, I just got a lump in my throat again....

As they say in Die Vampire Die, a Vampire is any person, thought or feeling that stands between you and your creative self-expression.

Hasn't everyone had those moments of self doubt that try to kill our creative output? Heaven knows I have!

This is an amazing once-in-a-lifetime opportunity and I encourage everybody (musicians, artists, writers, songwriters, directors, Microsoft employees, politicians, accountants, nurses etc.) to sign up for this workshop. Seriously, whether or not you are in "entertainment", this workshop will be of value...I mean, isn't public speaking of any kind like performing?

So I only have two questions for Susan and Hunter:

1. When will the sheet music for Die Vampire Die be available?

2. Will you be serving Babaganoush at break time?

From the Facebook event page:

The ‘DIE VAMPIRE, DIE’ WORKSHOP

A writing/performance workshop lead by Broadway’s Susan Blackwell and Hunter Bell FEATURING YOU.

Are you a performer who wants to write your own material?

Are you a writer who wants to perform your own material?
Are you a creative challenge-seeker looking for a fun, safe environment to try something new?
Are you rocking creativity for your
New Year's resolution?
Just want to kill some Vampires*?

Join Susan Blackwell and Hunter Bell on July 20
th from 2 pm to 8pm for the ‘Die Vampire, Die’ workshop!
Susan and Hunter will lead you through a series of exercises to get your
creative juices flowing and your thoughts up on their feet!
Cost - $125 per person (to cover Susan and Hunter’s fees, flights and hotel)

Please bring yourself, a positive attitude, a lined notebook and a pen.
Some performance experience is helpful, but not necessary.
An open, constructive attitude is mandatory!

Themes of this workshop include:

  • Creative Writing
  • Performance
  • Identifying and taking creative risks
  • Tapping into brave artistic freedom and self-expression
  • Establishing a creative safe space
  • Contributing to a collaborative process


Target participant:

  • Performers who want to write their own material.
  • Writers who want to perform their own material.
  • Creative challenge-seekers looking for a fun, safe environment to try something new.
  • Groups looking to foster a safe collaboration.

*From [title of show]’s Vampire Hunting Guide: A Vampire is any person, thought or feeling that stands between you and your creative self-expression.

To RSVP for this event, please email Kat Ramsburg at katramsburg@yahoo.com for further instructions.

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An oldie but a goodie!

My daughter Myrna just found this lovely bit of video on Youtube. This is the finale of Canadian Idol from a few years ago.

In case you didn't know, Canadian Idol is the show that American Idol is based upon :)

The clip starts with a youthful choir singing You Can't Always Get What You Want in lovely blue robes. Check out the cutie pie with the glasses - that's Myrna around age eleven! Myrna's vocal coach in Toronto was Elaine Overholt (vocal coach on such movies as CHICAGO and HAIRSPRAY!). Elaine was coaching the contestants on the show and asked Myrna to be part of the choir!

They grow up so fast <sigh>
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Be still my heart.

Broadway's upcoming season will hereafter be known as the Season of Hunks! First, Hugh Jackman and Daniel Craig will be appearing in A STEADY RAIN.

And now Johnny Lee Miller will be on Broadway this fall.

I have been a huge fan of Mr. Miller since I saw him in the films Mansfield Park and Afterglow. And nobody was as crushed as I was when they cancelled his television series Eli Stone (well, except for the writers...).

From Playbill.com:

Roundabout Theatre Company, in association with Sonia Friedman Productions and Ostar Productions, announced on June 10 that Jonny Lee Miller, of "Trainspotting" and the ABC series "Eli Stone," will be Sienna Miller's co-star in the fall production of Patrick Marber's After Miss Julie.

Sienna Miller will play Miss Julie, and Jonny Lee Miller will play John. Both will make their Broadway debuts in the American premiere of this updated (to the 1940s) version of August Strindberg's classic play Miss Julie, directed by Mark Brokaw.

After Miss Julie will begin preview performances Sept. 18 and open officially Oct. 22 at the American Airlines Theatre on Broadway (227 West 42nd Street). This is a limited engagement through Dec. 6.

What could possibly top this? Nathan Fillion in a revival of LI'L ABNER!

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